jay.peng@projeconmuseum.com
近年發展的《RANDOM》系列中，他將自身視為一座「視覺語言處理器」，以隨機作為方法，引入錯置、偏移與不穩定性，使單位造型在反覆運算中生成新的結構與意義。作品既保留理性的系統感，也容許直覺與誤差介入，呈現尚在生成中的圖像狀態。
其作品以數位圖像為核心，並可轉譯為實體輸出與空間呈現，持續探索當代視覺語言在不同媒介中的存在方式。
In his ongoing series RANDOM, Peng conceives himself as a “visual language processor,” employing randomness as a method to introduce displacement, deviation, and instability into image-making. Unit forms are continuously reorganized through iterative operations, generating structures that resist fixed definition while retaining systemic coherence. Rational frameworks coexist with intuitive decisions, allowing error and ambiguity to remain integral to the work.
Peng’s works originate as digital files and are realized through physical outputs and spatial presentations, exploring how contemporary visual language shifts across media while maintaining its conceptual integrity.